Showing posts with label Nigerian Art and Culture. Show all posts
Showing posts with label Nigerian Art and Culture. Show all posts

Wednesday, November 7, 2012

35 events to choose from at the Lagos Book and Art Festival - 14th Edition


Toyin Akinosho, Publisher of Africa Oil & Gas Report and Secretary General of the CORA Art & Cultural Foundation, has announced that the 14th Lagos Book & Art Festival will take place on the 16th to 18th of November 2012 at the Freedom Park, Broad Street, Lagos Island, Lagos, with a pre-event Publishers’ Forum and Cocktail holding on the 15th.


A theme has also been announced for the festival, The Narrative of Conflict, which focuses on how the written word and the literacy it engenders interrogates the different conflicts that surround current existence and recent past. The festival is dedicated to the veteran artist Bruce Onabrakpeya who turned 80 this year and whose work and dedication to the arts continue to be a source of inspiration to generations of Nigerians.

The Lagos Book & Art Festival, or LABAF as it’s often called, is a landmark event on the nation’s culture calendar with sprawling book displays, exhibitions, live music and drama performances, and an array of literary events that take time out to dig deep into the content of books.

According to Akinosho: “LABAF is self-styled as Africa’s Biggest Culture Picnic because we don’t just put together a book fair, a performance concert, a literary festival or an art expo. What we do is a healthy fusion of all four in a festival atmosphere, and for the past 14 years, the festival has become an important destination for families, literary and art enthusiasts, culture producers, children and even lovers. We have had people who came as children years ago still attending now as young adults. We have also had people who met at the festival grounds for the first time years ago, still attending as married couples. What keeps them coming back is the way the festival allows them to engage with culture in a fun atmosphere, that is why it is Africa’s Biggest Culture Picnic."

For a complete timetable of the activities, CLICK HERE...


Monday, September 24, 2012

A few of my favourite things - a local fruit known as African pear or ube


It's called native pear, ube, African pear, and many others. It has a sourish taste  (and I guess that's when they are not yet fully ripened when plucked), but these are some of my favourite fruits in Nigeria. It's a fruit, but it is not eaten raw. First it has to be dipped in hot water for about 10 minutes before it can be eaten with a dash of salt. Hmm, yummy.



Thursday, September 20, 2012

....and in Lagos - a film showing by the Goethe-Institut


The Goethe-Institut, together with the Nigerian Film Corporation and iREP; the Documentary Film Festival, presents its monthly film-screening with German, Nigerian and African films on Saturday, 29.09.2012, 3pm.

The film is called Kinshasa Symphony – directed by Claus Wischmann & Martin Baer, 2009, Germany

"Kinshasa Symphony" shows how people living in one of the most chaotic cities in the world have managed
to forge one of the most complex systems of human cooperation ever invented: a symphony orchestra.
It is a film about Congo, about the people of Kinshasa and about music.

Venue:
Nigerian Film Corporation,
Lagos Branch Old Film Unit,
Opp. Ikoyi Cemetery
Ikoyi, Lagos

Entrance is free!





Sunday, July 8, 2012

Ozugbo, Ozugbo - a story by Jide Atta (Part 2 of 3 parts)

This bloody village! I am back to it. Twelve years it has been. 12 years! I know them, I know them all. Some watched me grow, others we grew up together. I hate them, all of them. I remember the taunts, the sneers. The bastard son of a harlot they called me. Well, the son of the harlot was back now, back to take his revenge. 

I always wondered why my mother never married any of those men. They came at all hours of the day, some were huge, some were short. I didn’t need to be told to go outside, as it was an excuse for me to roam the village and go play with other children. 



It was on one of those trips that I met Tiemo and Tamuno. I had wandered to the beach to watch the other children swim in the sea. I didn’t join them. I was scared of the water. I sat on the rack stack and watched the older ones dive in to the water to the squeals and laughter of the others. This was the rack stack that grew to be a makeshift jetty. The jetty on which I am standing today, after 12 years, and barking orders at the baggers! Everyone in the village knew Tiemo and to an extent Tamuno. There was this particular girl, Abigail, who always smiled at me and beckoned with her hand for me to come in to the water. I liked her. She was always kind to me whenever our paths crossed in the village or in the many playgrounds of the young. Tiemo was the village hero among the young ones in the Tekuni age group. I admired him and tried to get him to be my friend. He always ignored me and would throw his head away anytime I greeted him or laughed at a joke. Tamuno would always stand up to him and ask him to allow me to join in their play - to which he would refuse. With an aristocratic air he would arrogantly remind me of the need to go on a journey to find out my real father. 

‘’Of course’’, he would say, ‘’I don’t know where you will start because even the sea does not know’’.

This hurt, especially as it was done in the presence of Abigail. It hurt me so badly that I would just run away, crying and clutching my tattered overcoat that my mother had seized from one her visitors who refused to ‘settle’ her. To my small, naïve mind, I always wondered what ‘settle’ meant. 

‘Ozugbo Ozugbo! Bastard child’’, they would repeat constantly. I still remember the accompanying laughter and taunts of the other children escorting my every step as I ran. Somehow, somewhere in the taunts of the children, a voice would shout at them to stop it. It was the voice of Abigail. How I loved that voice. It was the only thing that kept me going back to the playgrounds. No taunt would deter me from seeing her play or hear her talk. 

As I ran home I concluded in my mind that I had to go and look for my father. If only to prove to that son of ‘okporokpo’ that I wasn’t a bastard as they called me. ‘Uncle wonda’ was still around. I could hear his voice as he talked to my mother. Her pearly laughter rang out from somewhere within our shack of discarded ‘chemical bags’. This was the big polythene bag used by oil companies to hold and transport chemicals for the drilling activity. 

Abigail, I would never forgive that bloody Tiemo for her death. I had left the village two years before. It was one of my mother’s visitors who told me about the army and encouraged me to join the army. He even bought me the forms. I went to Depot Nigerian Army for three months. It was hell on earth. I wonder how I survived that training time. I guess it was the tough times I had gone through before coming there. Well, I survived and after that I was deployed to Liberia. I thought of her throughout my stay in Liberia. Perhaps that is what kept me going. I had only one plan, to come back and ask for her hand in marriage. It was the right thing to do, the only thing to do. That bloody Tiemo stole her away from me and led her to her death. But I was back now, with more money and power than any of them could imagine. As the head of security for Alcove Oil operations in these parts, I could do to them anything I wanted; they were all under my boots. There were no rules of engagement or superior officers in the army to control me. Besides no one would ever believe them, it would be their word against Alcove Oil. 

‘I ask again, where Is Tiemo?’

I know you all know where he is, or at least one of you does. That one of you should tell me now. Tamuno where is your cousin Tiemo? I know you saw him three days ago. Tell me where he is and no one will get hurt.

(Click here to read the PART ONE)

Sunday, June 17, 2012

Ongoing Photo Exhibition at the Goethe Institut Lagos: N65 by Aderemi Adegbeti



Goethe-Institut Nigeria is presenting the latest exhibition of the young Nigerian photographer Aderemi Adegbite, entitled "N65". This exhibition is a photography documentation of the protests during the fuel subsidy removal that took place in January 2012.

Date: The exhibition officially opened on Saturday, 6th of June 2012 at 3 pm and will continue till 29th June 2012

Venue: Goethe-Institut Nigeria, City Hall, Catholic Mission Street, opp. Holy Cross Cathedral, Lagos Island

Free Entry!

Meanwhile photograph "N65" (above) has been selected as one of the 5 semi-finalists in the “Emerging Human Rights Defenders” category in the World Youth Movement for Democracy’s second annual photo contest.

You may vote for “Picture 3” as the 2012 emerging human rights defender in the list. Here is the link: https://democracy.wufoo.com/forms/2012-world-youth-movement-photo-contest-z7p9z7/

The winner will be announced on June 29.