Showing posts with label Abuja Art and Culture. Show all posts
Showing posts with label Abuja Art and Culture. Show all posts

Thursday, March 28, 2013

Exciting day at the Abuja Literary Society's Monthly BookJam

Left to right: Lady InspiroLogos, Ken Ike, and a cross-section of the audience
during the National Poetry Slam held on 6th July 2012 at the Transcorp Hilton Hotel.
Photos by Inside Track. 

Bookjam holds this Good Friday, March 29, at Lifestyle Bookstore, Silverbird Entertainment Centre. Time: 7pm prompt. ALS features: Lady Inspirologos (Yellow Eyes Gone White), a true story of the author's struggle with sickle cell anemia; Sally Williams (Bird Eye), her debut anthology with an elegant twist; and R & B, pop and soft rock singer, Age Beeka.

NB: Book of the Month (April), Death and the King's Horsemen by Wole Soyinka and Book of the Month (May), There Was a Country by the late Chinua Achebe.

ABOUT ALS
ALS meets every, 1st Friday of the month at Transcorp Hilton Hotel, 7p.m; Second Friday @ Silverbird Entertainment Centre Abuja 7pm, Third Fridays @ Salamander Cafe, Abuja; BookJam holds every Last Friday of the month at Silverbird Entertainment Centre Abuja 6pm; Abuja Poetry Slam (performance Poetry competition) holds in March, June, September, and the Grand Slam will be in December. Special Guest writers will normally feature at the First Friday readings @ the Hilton. Special workshops, retreats and exchanges are part of our programmes. ALS can help you with manuscript editing ,organize a book presentation, marketing or special literary nights/events.

FMI, SMS: Chinelo: 08067958680; Ken: 0803-155-2555; or Victor: 0803-311-7246.

Tuesday, March 26, 2013

In Abuja... Celebrating World Theatre Day today, March 27

Scenes from the Spanish play Eloise is Under an Almond Tree,
as performed by the Jos Repertory Theatre on October 8, 2012, during the
7th Spanish Cultural Week. Photos by INSIDE TRACK

The National Association of Nigerian Theatre Arts Practitioners (NANTAP Abuja Chapter) will join theatre practitioners across the world in the celebration of this year's World Theatre Day, today, Wednesday 27th March, 2013.

In collaboration with the Arts & Culture Departments of the FCT Social Development Secretariat and other private theatre companies and outfits in Abuja, NANTAP Abuja have the following activities lined up:
* 10:00am: Opening Ceremony

Opening ceremony and interactive session on the theme: NATIONAL SECURITY AND THE ROLE OF THE ARTISTES, under the chairmanship of Prince Nwazuruahu Shield, the Special Adviser to the Minister of FCT on Security.

A theme talk on the above topic will be delivered by Mr. Bill Strassberger, Head of Public Affairs unit of the Embassy of the United State in Abuja.

* 12:00 - 1:00pm: War Horse Seminar

A cutting edge production seminar for practitioners, based on the War Horse, a 2011 war drama film directed by Steven Spielberg. It is an adaptation of British author Michael Morpurgo's 1982 children's novel of the same name set before and during World War I. The seminar is powered by the Open Mic Forum and will hold immediately after the brief opening ceremony.

* 5:00pm: Presentation of WTD Play and Award Night

The day will be rounded up with Arojah Royal Theatre's production of Seyi Adigun's play CALL FOR ME MY OSHENI which will be supported by The Village Square Children Theatre's presentation of a drama sketch on water and other attractions such as music and comedy.

The Highlight of the 2013 celebration of World Theatre Day in Abuja will be the presentation of AWARDS to three Nigerians who's contribution to the theatre and arts in general, both in FCT and Nigeria at large has been phenomenal. 

They include:

Dr. George Ufot
Director Culture,
Federal Ministry of Culture

Mrs. Blessing Onuh
Secretary
FCT Social Development Secretariat

Hajiya Nana Tsokwa
Director
Arts & Culture Department
FCT Social Development Secretariat

VENUE:
Community Hall, Cyprian Ekwensi Centre for Arts & Culture, Area 10, Garki - Abuja

Friday, September 28, 2012

100 Thousand Poets and Musicians for Change -


Come September, 29, 2012, Abuja will join hundreds of towns and cities across the world to mark the second annual 100 Thousand Poets for Change. This year’s edition of the event will as usual provide a platform for renowned and upcoming poets, musicians, artists,painters, exhibitors of arts & literary materials to register their voices on issues dear to their hearts for the betterment of Abuja and the country at large.

Tagged Poets and Musicians for Change, the event is an initiative of Michael Rothenberg, Co-Founder of 100 Thousand Poets for Change, who believes that peace and sustainability “are major concern worldwide, and the guiding principle for this global event.”

The 100 Thousand Poets and Musicians for Change is a free-ticket event that offers opportunities for all to showcase whatever they have with a bid to promote peace and sustainable development in a carnival-like/trade fair atmosphere.

INVITED SPEAKERS: Mr. Tope Fasua (CEO, Readers Are Leaders Bookshop), Prince Zubairu Jide Atta (Atta Associates) and Max Gbanite (Milliken-Hill Group Ltd.)

DATE: Saturday 29th September 2012

VENUE: Gudu Recreation Park, Gudu District, Abuja, Nigeria

TIME: 10.00am

ARTISTS TO BE FEATURED AT THE EVENT:

Dike Chukwumerije – Performance Poet
Denja Abdullahi (Poet & Dramatist)
VALERINO – Musician
Baba Adugbo - Musician
Rita Oranyelu - Musician
Bai Daddy - Musician
Al-Kasim Abdulkadir – Media/Communications
Monday Osasah - Strategy
Eriata Oribhabor – Organiser, Abuja


Wednesday, September 26, 2012

Pizza and suya night - an update on Abuja restaurants and fastfood centres



Once in a while, after a hard and not so hard week at the office, I don't mind having a treat for myself. One of the places my colleagues and I go to is the clubhouse of Dantata and Saowe, which serves pizza and suya on Saturday nights. The pizzas are baked in a wood-burning brick oven, making them a bit of a rarity here in Abuja. Unfortunately I cannot recommend the place to everyone because I heard that the Dantata Clubhouse caters only to the staff of Dantata and their guests. Oh and JBN staff are allowed to enter also... 


Monday, September 24, 2012

A few of my favourite things - a local fruit known as African pear or ube


It's called native pear, ube, African pear, and many others. It has a sourish taste  (and I guess that's when they are not yet fully ripened when plucked), but these are some of my favourite fruits in Nigeria. It's a fruit, but it is not eaten raw. First it has to be dipped in hot water for about 10 minutes before it can be eaten with a dash of salt. Hmm, yummy.



Thursday, September 20, 2012

Nigeria Now, an art group, presents SENSUALITY, featuring Nyemike Onwuka



After a summer break, the Nigeria Now team is back, bringing you an exciting new Art Soiree featuring Nyemike Onwuka and others. 

34 Limpopo Street, Maitama. 4pm-8pm

Only guests on the Security list will be admitted.  RSVP to nigerianow2012@gmail.com


The Nigeria Now Art Fund was established to support emerging Nigerian artists.


....and in Lagos - a film showing by the Goethe-Institut


The Goethe-Institut, together with the Nigerian Film Corporation and iREP; the Documentary Film Festival, presents its monthly film-screening with German, Nigerian and African films on Saturday, 29.09.2012, 3pm.

The film is called Kinshasa Symphony – directed by Claus Wischmann & Martin Baer, 2009, Germany

"Kinshasa Symphony" shows how people living in one of the most chaotic cities in the world have managed
to forge one of the most complex systems of human cooperation ever invented: a symphony orchestra.
It is a film about Congo, about the people of Kinshasa and about music.

Venue:
Nigerian Film Corporation,
Lagos Branch Old Film Unit,
Opp. Ikoyi Cemetery
Ikoyi, Lagos

Entrance is free!





Monday, September 17, 2012

French language lesson for FREE at the French Institute



Celebrate the European Day of Languages at the French Institute on Wednesday, September 26, 2012.
 
FREE SAMPLE FRENCH
LESSON FOR BEGINNERS:
10 am - 11 am
2 pm - 3 pm
 
Interested in learning French? 
Choose your time slot and register at coordinatorstudies@institutfr-nigeria.org

It's totally FREE!! 

More info at www.institutfr-nigeria.org or at the Institute: 52 Libreville street, off Aminu Kano Crescent, Wuse 2 (behind M. Biggs)


Sunday, September 16, 2012

The Bukka - an update on Abuja restaurants and fast food centres

One of my favourite restaurants in Abuja is THE BUKKA at the Transcorp Hilton Hotel. The food is a combination of Nigerian and continental dishes. I think this is the place where you can have the best Nigerian buffet in town - with a wide variety of choices, including the meanest pepper soup in the whole of Abuja... and I mean it literally burns your mouth! 

Bukka is actually a local term which means 'roadside restaurant.' So anything you want to eat in a roadside restaurant, you can find it at THE BUKKA.  

The ambience is great and the waiters/waitresses are very courteous and friendly. It's expensive though, at 6,500 naira per person, excluding drinks. But it's worth it. 





Thursday, September 13, 2012

Abuja motoring - car for sale; price £8,000 or nearest offer

Power sunroof, cruise control, climate control air conditioning, 4-speaker radio and CD player, roof rails, steering wheel mounted audio control, airbags - driver & front passenger, front and rear curtain airbags, colour keyed door handles and mirrors, trip computer, with fuel consumption & average speed display, ABS, central double locking with remote activation, engine immobiliser and perimeter alarm.

This car was imported from the UK on 10th November 2009. It was fully serviced prior to shipping on 26th August 2009 at Toyota Twickenham at 98,662 KM.

The car has been serviced in Nigeria annually since it was imported. Services have been performed by a well known mechanic and last full service was August 2012 when new brake discs and pads, new air-filter, oil-filter and new battery were all fitted. Brakes, oil and air filters bought in the UK by me. Car comes with spare oil and air filters (again from the UK).

Current mileage - 109,412 KM. This is a great car for life in Nigeria. Has always been reliable and has never let us down.

The car will be available from mid/end November 2012.

Price £8,000 ONO

Any questions please email on nick.murdoch@fco.gov.uk or nicholasmurdoch@btinternet.com

(Source: Abuja Expats)


Wednesday, September 12, 2012

More on ASOHOM...

Below are photos taken of the ASOHOM INTERNATIONAL CHARITY BAZAAR in 2009, 2010, and 2011. I also had photos taken during the 2008 bazaar at the Hilton, but my laptop was stolen and all the pics were gone. Here in Abuja, I've had my laptop stolen at least 3 times (L.O.L.), twice at my former flat in Wuse and the other at the parking lot of the Transcorp Hilton. I still love Abuja notwithstanding....





Tuesday, September 4, 2012

Indonesians celebrate National Day at the ambassador's residence in Abuja


Members of the Indonesian community in Abuja and the diplomatic staff of the Embassy of Indonesia, headed by H.E. Ambassador Haseng and his wife, were joined by guests in well-wishers at the ambassador's residence in Maitama, Abuja, on Wednesday last week, the 29th of September 2012, to mark the National Day of Indonesia.

These photos were taken at the event by INSIDE TRACK ABUJA.







Saturday, September 1, 2012

Philippine Embassy's annual celebration of Eid al Fitr is held at Usman Dam, in the outskirts of Abuja


At the invitation of the Embassy of the Philippines in Nigeria, INSIDE TRACK ABUJA joined several members of the Filipino community in the FCT for the annual celebration of Eid El Fitr on August 21, 2012, at the Usman Dam, about 30 minutes drive from the city centre. 

These photos were taken at the event.














Saturday, August 25, 2012

BEYOND THE FRAME: Photopower Nigeria Charity Auction and Exhibition




A group of young and innovative people organised a photo auction and exhibition in Abuja recently and would like to share some of the photos (above) taken at the event which, according to them "was a huge success. The turn out was amazing and we raised so much more than we had hoped for. We would like to thank all those who came out and showed support, most especially people that participated in the auction and donated for our cause."

Get to know more about PHOTOPOWER at www.photopowernigeria.blogspot.com


Thursday, August 16, 2012

BEYOND THE FRAME: Photopower Nigeria Charity Photo Auction and Exhibition

A photo exhibition is taking place at the Thought Pyramid Gallery, Abuja, starting this Friday, August 20, at 1pm. Scroll down for more details...

Photopower Nigeria is a volunteer and charity initiative to empower youth through the use of photography. The pilot project of this initiative worked with the Hope for Survival Orphanage Gishiri Abuja. The initiative worked with 15 teenagers (15 to 19) who were taught to express themselves through photography. The exhibition will showcase work by these teenagers and raise funds for their orphanage as well as awareness.

Date: Monday, 20th August 2012
Time: 1:00pm
Venue: Thought Pyramid Art Gallery 62 Parakou Crescent Opp Hotel Dabras/Mr Biggs Wuse 2 Abuja

Signed,

Queen Nwokonneya
Operating Officer


Sunday, July 8, 2012

World Music Day celebration at the French Institute, Abuja - June 21, 2012




The French Cultural Institute in Abuja celebrated the World Music Day on June 21, 2012. These photos were taken at the event.


Ozugbo, Ozugbo - a story by Jide Atta (Part 2 of 3 parts)

This bloody village! I am back to it. Twelve years it has been. 12 years! I know them, I know them all. Some watched me grow, others we grew up together. I hate them, all of them. I remember the taunts, the sneers. The bastard son of a harlot they called me. Well, the son of the harlot was back now, back to take his revenge. 

I always wondered why my mother never married any of those men. They came at all hours of the day, some were huge, some were short. I didn’t need to be told to go outside, as it was an excuse for me to roam the village and go play with other children. 



It was on one of those trips that I met Tiemo and Tamuno. I had wandered to the beach to watch the other children swim in the sea. I didn’t join them. I was scared of the water. I sat on the rack stack and watched the older ones dive in to the water to the squeals and laughter of the others. This was the rack stack that grew to be a makeshift jetty. The jetty on which I am standing today, after 12 years, and barking orders at the baggers! Everyone in the village knew Tiemo and to an extent Tamuno. There was this particular girl, Abigail, who always smiled at me and beckoned with her hand for me to come in to the water. I liked her. She was always kind to me whenever our paths crossed in the village or in the many playgrounds of the young. Tiemo was the village hero among the young ones in the Tekuni age group. I admired him and tried to get him to be my friend. He always ignored me and would throw his head away anytime I greeted him or laughed at a joke. Tamuno would always stand up to him and ask him to allow me to join in their play - to which he would refuse. With an aristocratic air he would arrogantly remind me of the need to go on a journey to find out my real father. 

‘’Of course’’, he would say, ‘’I don’t know where you will start because even the sea does not know’’.

This hurt, especially as it was done in the presence of Abigail. It hurt me so badly that I would just run away, crying and clutching my tattered overcoat that my mother had seized from one her visitors who refused to ‘settle’ her. To my small, naïve mind, I always wondered what ‘settle’ meant. 

‘Ozugbo Ozugbo! Bastard child’’, they would repeat constantly. I still remember the accompanying laughter and taunts of the other children escorting my every step as I ran. Somehow, somewhere in the taunts of the children, a voice would shout at them to stop it. It was the voice of Abigail. How I loved that voice. It was the only thing that kept me going back to the playgrounds. No taunt would deter me from seeing her play or hear her talk. 

As I ran home I concluded in my mind that I had to go and look for my father. If only to prove to that son of ‘okporokpo’ that I wasn’t a bastard as they called me. ‘Uncle wonda’ was still around. I could hear his voice as he talked to my mother. Her pearly laughter rang out from somewhere within our shack of discarded ‘chemical bags’. This was the big polythene bag used by oil companies to hold and transport chemicals for the drilling activity. 

Abigail, I would never forgive that bloody Tiemo for her death. I had left the village two years before. It was one of my mother’s visitors who told me about the army and encouraged me to join the army. He even bought me the forms. I went to Depot Nigerian Army for three months. It was hell on earth. I wonder how I survived that training time. I guess it was the tough times I had gone through before coming there. Well, I survived and after that I was deployed to Liberia. I thought of her throughout my stay in Liberia. Perhaps that is what kept me going. I had only one plan, to come back and ask for her hand in marriage. It was the right thing to do, the only thing to do. That bloody Tiemo stole her away from me and led her to her death. But I was back now, with more money and power than any of them could imagine. As the head of security for Alcove Oil operations in these parts, I could do to them anything I wanted; they were all under my boots. There were no rules of engagement or superior officers in the army to control me. Besides no one would ever believe them, it would be their word against Alcove Oil. 

‘I ask again, where Is Tiemo?’

I know you all know where he is, or at least one of you does. That one of you should tell me now. Tamuno where is your cousin Tiemo? I know you saw him three days ago. Tell me where he is and no one will get hurt.

(Click here to read the PART ONE)

Thursday, July 5, 2012

Abuja Literary Society to hold national poetry competition - July 6 at the Transcorp Hilton; N100K for the grand prize winner; everyone is invited


ALS, in collaboration with The African Poet, announces the National Poetry Slam, Fri, 6th July 2012, @ the Transcorp Hilton Hotel, Abuja at 6pm. Minimum N100K prize for the winner! Pre-register free at: abujaliterarysociety@gmail.com, or TAPG fb page. See rules below.

RULES FOR SLAM POETS
1. Poems can be on any subject and in any style.
2. Each poem must be an original piece written and performed by the author.
3. No props.
4. No costumes.
5. Performances are timed and should not exceed 3 minutes; the last round may be 2 minutes.
6. No musical instruments (leave the drum set home) or pre-recorded music.
7. Each poem may only be used once during the competition.
8. Poets prepare 3 poems in case they move to the 2nd and final rounds.

RULES FOR SLAM JUDGES
1. Judges are selected at random from the audience (no experience needed); they’re given score cards.
2. Five judges are used and each is asked to leave his/her personal bias at home.
3. Judges are asked to rate 50% on performance (presentation) AND 50% on content of the poem (was it well-written, did it make sense - doesn't matter if you agreed with the content).
4. Scores are from 0 (lowest) to 10 (highest), using decimals to reduce the chance of ties - (“0 infinity” is not a number, honest)
5. At the same time, judges hold up one score (e.g.: 5.6, 8.7, 9.8, 10.0) when asked by the Slam Master.
6. The Slam Master then announces the poet's scores from each judge out loud. An average is arrived at by totaling the poet’s score and dividing by 5.
7. Where there’s a dispute at any time during the Slam, the Slam Master’s ruling is final. No appeals, except to the Slam Master, are allowed.

RULES FOR SM & TIME KEEPERS
1. Slam Master ballots to decide order of presentation.
2. Time Keeper(s) deduct 0.1 point for every sec of exceeded time.
3. Time Keeper(s) announce, through the Slam Master, any exceeded time and the deduction after the judges have raised and announced their scores. The penalty is then deducted from the total score.
4. The bottom 1-3 contestants are eliminated (NOT killed o!) in each round.
5. The winner of the final round is announced last – first announce the 2nd Runner up, 1st Runner Up, then the Slam Champion.

RULES FOR AUDIENCE
1. Slam is fun, bear that in mind.
2. Applaud or boo any judge whose score you do not agree with.
3. Show your appreciation of the performance poetry – you are permitted to roll on the ground, jump to high heavens, scream your head off or cry bitterly (perhaps after hearing a brilliant poem you have been trying to write yourself for 10 years!). As you rejoice or weep, remember ALS will NOT be responsible for any destruction of venue property.
4. Volunteer to judge.
5. Where there’s a dispute at any time during the Slam, the Slam Master’s ruling is final.No appeals, except to the Slam Master, are allowed. That’s why he is the Master of the Slam!


Ken Ike
(ASHOKAFellow) Slam Master
abujaliterarysociety@gmail.com

========

ABOUT ALS
ALS meets every 1st Friday of the month at Transcorp Hilton Hotel, 7p.m; Second Friday @ Silverbird Entertainment Centre Abuja 7pm, Third Friday @ Salamander Cafe, Abuja.

BookJam holds every Last Friday of the month at Silverbird Entertainment Centre Abuja 6pm

Abuja Poetry Slam (performance Poetry competition) holds in March, June, September, and the Grand Slam will be in December. 

Special Guest writers will normally feature at the First Friday readings @ the Hilton. Special workshops, retreats and exchanges are part of our programmes. 

ALS can help you with manuscript editing ,organise a book presentation, marketing or special literary nights/events.

FMI, SMS: Chinelo: 08067958680; Ken: 0803-155-2555; or Victor: 0803-311-7246.


Sunday, June 24, 2012

Oginigba - a story by Jide Atta

Jide Atta, at the Abuja Literary Society
reading held on May 25, 2012, Silverbird  
Entertainment Centre, Abuja, Nigeria.
Photo by Araceli
Oginigba 
-a story by Jide Atta

They came at dawn. I should know. I was awake gathering my nets and preparing to go out on the days fishing trip when I heard the noise. I heard them before I saw them. There were lots of them. They were jumping out of the gunboats before the boats even reached the shore. I turned and ran. There was only one thought in my head, my grandmother, and my cousin Ebi. 

I knew who they were, I had seen them before. The whole village had seen them before. But they normally didn’t come this way. Normally it would be the helicopters, then the trucks. There were never any boats, and they were never this many of them. Something was different this time, I could sense it.

I was close to our home when the gunshots began.

What was going on this time? What had we done wrong this time? How come our small village of mostly fishermen and palm wine tappers had to bear the brunt of the so-called struggle for our freedom? And then it struck me! Tiemo! This invasion must have had something to do with his surprise arrival three days ago. He looked haggard with long, dirty and unkempt dada.

Tiemo, my cousin, who caused the most pain to my grandmother. Youthful, handsome Tiemo who the old folks said brought bad luck to his parents. His mother died while giving birth to him and, a week later, his father surprisingly fell from a palm tree. As a little boy, he was always the leader of the gang, dictating what prank to pull and on whom.

There was this particular incident when we were given the beating of our lives, courtesy another Tiemo prank. Tiemo had become fascinated with the village shrine and on the eve of the ashi festival decided we should relocate the totem. Yes, I was terrified but I was excited about being able to touch that totem we only saw in public during the festival, but which we had been seeing during our regular trips to spy on the shrine. We took the totem, when the chief priest went into his shack with Pa Willy’s new wife. They always went into that shack three four times daily. Tiemo had one time gotten close enough to peep into the shack and came back giggling, refusing to tell us what he saw, insisting that we were still kids. 

We hid the totem in Olotu’s hut. He was the village drunk, and we were sure no one would suspect our involvement. 

We were wrong. 

I had always heard that palm wine tappers saw everything and knew everyone’s secret. Well, we had no idea that Papa Preye saw us, followed us to Olotu’s house and went to tell our grandmother. We didn’t know why we were beaten that way by mama. We didn’t think it could possibly have had anything to do with the totem. Mama is a very strong woman. With one hand she held on to Tiemo and me, and with the other administered continuous series of slaps with such dexterity that, if Ikopu the village drummer had seen her, he would have turned the colour of rotten fish with envy. 

That was the Tiemo I grew up with, at least until Abigail. I wonder how or when he saw her, but that was Tiemo. It was said that he had eaten a dog’s legs, because he was always up and about. Something about him changed. He began to pay a little more attention to himself. He even started combing his hair! This was Tiemo who always wanted to have dada like Majek Fashek the musician. 

Everyone in the village knew them, Tiemo and Abigail, always walking hand in hand everywhere they went. She changed Tiemo, made him less of a prankster. She also separated him from me and the rest of the gang, and I resented her for it. I and Tiemo were brothers. Who was this girl with whom he would rather spend time with than hang with us?

Then it happened. 

No one claims to know how it started. But we knew that suddenly oil – black and smelly like when palm kennel fell in dying fire – was leaking from the pipelines that ran behind the village school toilet and from the stand below our rickety makeshift jetty. That jetty is over fifty years old. The oil company had promised to build one since over forty years ago, before I was born. It was the immigration point from our village. Everybody that came and went from the village by sea had to go through it. Legend has it that after the oil company that laid the pipeline had built a rack stack for the pipes that they used, people converted it to a meeting place for discussing happenings between the workers and fishermen. One by one, each would bring a frond of palm or any piece of driftwood or metal pipe remnant and connect to the stack against the rack. The rack kept getting higher as the tide gradually ate below it and took residence deeper and deeper along the shoreline. I always wondered how one could walk for almost a mile out in to the sea and the water would only be chest deep at most. For us, we would use it as a diving place. Our tiny feet scrambling up and then, posing like Eupele, our African Games champion from the village, we would dive into the sea amidst squeals of laughter from the smaller kids who would only watch with admiration. That is how it became the commanding point for the leader of the pack that arrived in boats that day. 

People could not fish, could not farm, and nothing could be done. Emissaries were sent to the oil company, but weeks later, the oil was still leaking. The fishermen and the farmers decided to go to the company’s camp to protest and get them to do something about the leaking oil. I went with them that day. I was excited. My life had been boring without Tiemo but here was a chance to get some fun. 

When mama heard that I was with the protesters at the oil company camp, she sent Tiemo to come and drag me home. As usual, Abigail followed him. 

The oil company camp looks very different from the rest of our village, barbed wire fences, floodlights, well cut grasses, paved roads. I overhead one of the men from the village saying this was how America looked like. We all believed him. Even the smell of the place was different from the one that came all the time from the water just over the copse of palm trees and washed our village. The man said that they sprayed perfume in the air all the time and that the gods loved to sit just on the other side of the fence in the European quarter. I dreamt of America. 

There were armed men at the gate who refused us entry and ordered us to turn back. Some of the village men started turning away. Was this why I had come? To be turned away like a leper? I wanted some excitement; I wanted to smell a bit of America a bit longer. So I picked up a stone and threw at the guards, then they started shooting. 

I was shocked, and filled with fear. I started running. I hadn’t run too far when the shooting stopped. I turned and I froze at what my eyes beheld! I saw Tiemo covered in blood, screaming. He was sitting on the ground holding Abigail as she lay covered in a pool of blood. I walked in trepidation towards him and stopped. All around, men of the village were wailing, some were injured, most looked dead. Was it guilt, was it cowardice, what was it? I couldn’t tell, but I couldn’t bear the sight either. I turned and ran.

That was ten years ago. 

Tiemo disappeared after then and we never saw or heard from him until three days ago. Of course we had heard some stories. We had all heard of Commander T. 

As I got to the house, the soldiers were there already, and they were pushing mama, Ebi and everybody from their houses to the village square. I joined the line and walked there with them. 

A man who seemed to be in command was pacing angrily as we got to the square. He spoke into a radio briefly then picked a megaphone, turned and faced us all. Where is Tiemo? 

I froze! 

(To be continued)

Editor's Note: Jide Atta is a strategy consultant with bias in operations. He has been a member of the Abuja Literary Society for years where he has anchored many of its programs. He has a life long mission to mentor creativity in all forms.